The CS Mackay-Bennett was a cable repair ship that operated primarily in the North Atlantic, between 1884 and 1922. Now, mending underwater cables is not a terribly interesting subject to be writing about, I agree; but it is the Mackay-Bennett’s role in the aftermath of one of the twentieth century’s most infamous tragedies, for which she is remembered today.

 

The ship was commissioned from John Elder & Co, a ship builders based on the River Clyde in Glasgow, Scotland. Launched in September 1884, she incorporated a number of innovative features. Being a cable ship, an abnormally deep keel was required to be able to store as much cable as possible. Bilge keels, which aid stability in rough seas, were added to either side of the hull, to help cope with the notoriously treacherous Atlantic Ocean, and she was also fitted with two rudders; one at the front, in addition to the traditional one at the rear, to increase manoeuvrability. The CS Mackay-Bennett was also one of the first ships to be built from steel.

 

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The CS Mackay-Bennett

 

The ship operated mainly out of Halifax, Nova Scotia, but occasionally also from Plymouth, England, when working on cables on the European side of the Atlantic. Being designed to cope with rough seas, and often working far out into the Ocean, she was also able to assist in a number of rescues of stricken vessels, saving many lives in the process. However, it is not for one of these rescues that the CS Mackay-Bennett sealed her place in history.

 

In April 1912 she was carrying out maintenance on the France to Canada communications cable, when she was requisitioned by the White Star Line, to undertake a far more sombre task. On the night of the 14th April 1912, the RMS Titanic struck an iceberg on her maiden voyage, and rapidly sank. Of the approximately 2,200 passengers and crew, only 706 would survive the disaster. This meant there lay a grim task ahead; the recovery of as many bodies of dead passengers and crew as possible.

 

The CS Mackay-Bennett returned to Halifax , emptied her cable stores, and in place of the usual load, took on board 100 coffins, 100 tons of ice for storing the recovered bodies, and embalming supplies for 70 corpses. In addition they also took with them Cannon Kenneth Cameron Hind of All Saints Cathedral, Halifax, and John R. Snow, chief embalmer of Nova Scotia’s largest undertaking firm.

 

Departing Halifax on Wednesday 17th April 1912, the ship encountered rough seas and thick fog, and as a consequence, took nearly four days to reach the site of the sinking; a distance of around 800 nautical miles. Recovery of the bodies began at 6am on 20th April, when lifeboats were offloaded and rowed into the area where the Titanic went down. The lifeboat crews were both surprised and disturbed by the number of bodies, and hauled as many as they deemed safe into the boats. They returned to the ship with 51 corpses. Over the course of seven days, the lifeboats would recover a total of 306 bodies.  Only 328 bodies were ever recovered from the scene of the disaster, making the CS Mackay-Bennett responsible for over 90% of  those reclaimed from the water.  However, there was a problem.

 

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Recovering Bodies From The Freezing Water

 

It soon became apparent to the captain, that there was insufficient space aboard to store all of the recovered bodies. He, therefore, introduced a system that would be regarded as elitist and wholly unacceptable by today’s standards. Namely, that first class passengers would be embalmed and placed in coffins, second class passengers would be embalmed and wrapped in canvas, and third class passengers would be buried at sea. This approach was deemed appropriate at the time, and whist clearly biased in favour of the better off, nevertheless solved the storage problem.

 

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Embalming Bodies on Deck

 

Among the first class passengers recovered were Isidor Straus, owner of Macy’s Department store, and John Jacob Astor IV, the richest man on board the Titanic. They also recovered the body of Wallace Hartley, the band leader who continued to play on as the ship sank. Most poignantly, however, the remains of just one third class passenger was saved by the crew and stored in the hold. It was the body of a small boy, aged approximately two years. Of the 306 bodies recovered, 116 were buried at sea, and 190 were brought back to Halifax, where they arrived on 30th April 1912. It is largely thanks to Clifford Crease, a crewman of the CS Mackay-Bennett, that we have such detailed information of the recovery operation. His personal diary, detailing the events, is now held in the Public Archives of Nova Scotia.

 

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Clifford Crease (1888-1961) and an Excerpt From His Diary

 

Sadly, the body of the child remained unclaimed, and so the unknown boy was laid to rest in Halifax, with the crew of the CS Mackay-Bennett paying for the burial and headstone, from their own wages. In addition, the coffin was marked by a copper plaque, inscribed “Our Babe”. The entire crew, and most of the population of Halifax, attended the child’s funeral on 4th May 1912. Almost a century later, the copper plaque was to play a pivotal role in the identification of the unknown child. When the body was exhumed for testing, it was the remains that had been preserved underneath the plaque, that yielded sufficient DNA for identification purposes. On 30th July 2007, the child was revealed as Sidney Leslie Goodwin, a 19 month old from Wiltshire in England. His entire family had perished in the sinking.

 

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Unknown No Longer

 

The CS Mackay-Bennett was retired in May 1922, and anchored in Plymouth Sound, where she was used for storage. She was finally scrapped in 1963.

 

Clifford Crease never forgot the child he had helped to bury. During his lifetime, he visited the grave on every anniversary of the tragedy. When he passed away in 1961, he was interred only a few metres from the boy whose name he never knew.

 

Sources:

https://en.wikipedia.org/wiki/CS_Mackay-Bennett

https://uk.pinterest.com/pin/388224430350007190/

13 comments on “The Unknown Child

    • Thanks John, much appreciated. The problem is I don’t have enough time to post as often as I would like. If I started taking donations, I would feel under pressure to post more regularly, and, as I say, I am frequently time constrained. Rest assured though, I will keep posting blogs. In case you are interested, there is an Australian guy who goes by the name of Paul Rex, who produces a couple of very good podcasts. One is called ‘Originz’, and the other is called ‘Mysteries Abound’. If you enjoy my blog, I think you will find them really interesting. Thanks again.

      • Hello to you at The Mutineer – my name is Rabia Wilcox and I am the granddaughter of Clifford Crease who was instrumental in the recovery of the Unknown Child, his church service, his burial (with the brass plaque) at the Fairview Lawn Cemetery and the monument. My Nephew (Cliff’s great grandson) is wanting to write a script and direct a film about these traumatic experiences of Cliff’s. If you know of anyone who would like to produce this, I/my family feel it would be an extremely powerful and educational film. Many thanks, Rabia

        • Hi Rabia,
          Thanks for taking the time to comment on my blog post. It’s always great to hear from people who have a direct connection to someone in one of my stories. Unfortunately I’m not connected to anyone in the film production industry, so I’m afraid I can’t be of any help to your nephew. I do however think the Clifford Crease story would make for a great film, and so would like to send my best wishes to him in this endeavour.

          Kind regards
          Andrew (The Mutineer)

    • Hello John – my name is Rabia Wilcox and I am the granddaughter of Clifford Crease who was instrumental in the recovery of the Unknown Child, his church service, his burial (with the brass plaque) at the Fairview Lawn Cemetery and the monument. My Nephew (Cliff’s great grandson) is wanting to write a script and direct a film about these traumatic experiences of Cliff’s. If you know of anyone who would like to produce this, I/my family feel it would be an extremely powerful and educational film. Many thanks, Rabia

  • I happened across this story a few years back and found it utterly heartbreaking. I am a ‘very ‘ amateur songwriter, with no delusions of grandeur whatsoever, but, this story prompted me into writing this song. I hope you don’t mind me sending this.
    Such a compelling story, and a film just waiting to be made .

    • Hi Mike, Beautiful song, thanks for sharing. I’ll certainly check out your other work. Concerning your comment about a film just waiting to be made; a few months ago I was contacted by Clifford’s granddaughter, whose nephew is in the process of writing a film script about his ancestor’s traumatic story. It seems entirely appropriate that if anyone’s going to tell the story of Clifford Crease, it should be one of his descendants.

      Thanks again and keep up the good work.

      Andrew (aka The Mutineer)

    • Hi Mike – I am Rabia Wilcox, granddaughter of Clifford Crease and I would like to hear your song about the Unknown Child, if you are willing to send it to me.

      • Hi Rabia, This is Andrew (aka The Mutineer). It seems as though Mike is offline at the moment. In the meantime, you can go to a website called Soundcloud and search up the song there. It’s called The Diary of Clifford Crease. Lovely song.

        • Hi Andrew – I just listened to the song about my grandfather, Cliff Crease. So beautiful. I would like to be in touch with Mick to thank him fir his depth and kindness. Would you convey that to him? It makes me want to try harder to find someone to finance the film as it sounds like the theme song!

          • Hi Rabia. I’m glad you liked Mick’s song. Yes, it would make a good theme song for the film about your grandfather. Unfortunately, Mick hasn’t responded to my message either. I can only assume he’s not keeping an eye on this particular platform. I did, however, notice that when you are listening to a song on Soundcloud, there is a little speech bubble option at the bottom of the page where you can leave comments. It might be worth leaving a message for him there. Good luck with the film.

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